Charlie Dorf
Arts and Entertainment Editor
I’m a sucker for Westerns. Be it a Sergio Leone spaghetti Western (The Good, The Bad and The Ugly) or a Joss Weadon space Western (Serenity), I have probably seen it multiple times. Going in to Rango, I was afraid that the film would turn my beloved genre into a hackneyed kids movie, making a mockery of everything Leone and Eastwood built to make the western what it is today. I was happily proven wrong.